"As sonoridades de uma catedral que ressoava pelo Pampa": a música na obra do Concerto Campestre, de Assis Brasil

Abstract

In the present work, we analyze a work by Rio Grande do Sul writer Luiz Antonio de Assis Brazil, Concerto Campestre (1997), seeking to relate to the theme of music, from a perspective of intertextual analysis comprised between two distinct areas of knowledge: literature and music. Identifies elements of music theory in the construction of narrative, such as the presence of allegro, flat, compasses. An intertextuality presents narrative presents to the reader a figure of the gaucho pampeano, besides the figure of the gaucho woman and all her melancholy, portrayed as a representation of the way of living in the great gaucho resorts of the time of the narrative. To analyze a work, we seek references especially in Werlang (2009), Laham (2008), Sartre (1947), Candido (2006) and Rückert (1997), which do not concern the intertextual relationship of music and literature evidenced in the work.