Serviço Social hoje

Abstract

This article analyzes the emancipatory dimensions of art when articulated to processes of work that social workers are inserted, emphasizing the cinematographic practice as an expression artistic with counter-hegemonic possibilities to fetishized thought. problematize reality contemporary, about the advance of conservatism and neoliberalism, which poses challenges significant to the work of the social worker, from the perspective of the realization of their professional project. Analyzes the contradictions and possibilities of art, mediated in the work of the social worker, problematizing the dimensions of historical, political, aesthetic and educational memory, among others, that permeate cinema and constitute emancipatory social processes, insofar as enable the decoding and exploration of the world, promoting critical thinking. It is evident that the cinematographic practice can be constituted as a trigger for thinking and evaluating values, conceptions of the world and the behavior itself, both of filmmakers and spectators. the contribution from cinema to the process of overcoming alienation and fetishized thinking only takes place when there is a mediation with social struggles in political practice.