A crítica musical na internet e o contato de usuários com produtos musicais do movimento hiphop

Abstract

This monogRaph focuses on presenting the transformation in the way music is produced, distributed and consumed in contemporary society, taking the case of Hip-hop and considering a group of consumers of the genre in São Borja, RS, Brazil. To analyze this transformation, we conducted a study on the autonomous music production and the autonomous production of news and criticism in the cultural field, with analysis of sites focused on Hip-hop. With the analysis, we seek to understand how the production of music critical journalism, combined with the new way of producing music, has changes that lead to loss of critical role (in the sense of forming the taste of the audience and analytical commentary on music productions). From the analysis, we build the hypothetical question that cultural product information moves into a new configuration from production platforms directly to distribution platforms, only indicating where the reader should go, often based on algorithmic systems.