Como a música original contribui para a construção de sentido no cinema: considerações psicanalíticas e comunicacionais a partir do filme Blade Runner (1982)

Abstract

The present work aims to seek approximations between the cinematographic montage and the spectators' experience in the film Blade Runner: The Final Cut. Through the approximation between sound and image, we seek to demonstrate how these two stimuli end up helping each other in the construction of meaning, either directly or indirectly. We used the cinematographic image from Marcel Martin, divided into three characteristics: material of figurative value, aesthetic of affective value, intellectual of significant value so that we can analyze the context in which the scenes are inserted. For this, we selected three different scenes, so that we can contextualize the way of these interactions with the audience, each scene having peculiarities and being presented in different ways, being how the interaction between dialogue and music is made explicit, or even the combination of visual elements and the soundtrack, analyzing the subjectivity present within this composition. We also use psychoanalysis to approach discussions about the film, understanding that the message that the film carries is intended through the subjectivity and uniqueness of each one, which makes the results turn out to be broad, dealing with music and its issues as unique, adapting to each viewer.