Semiótica e sonorização no globo repórter: uma abordagem Peirceana

Abstract

The present work seeks to elucidate the use and the pertinence of the sonorization in the television reportings of Globo Repórter, through a peirce’s semiotic analysis. The research starts from the assumption that there is a production of differentiated meanings from the addition of the track, aiming to prove the validity of this resource for the construction of the journalistic narrative in television, as well as to approach the sonorization of the index paper in semiotics (PEIRCE, 2010; NÖTH, 2003). For that, sections of three different editions of the journalistic attraction Globo Repórter, founded by the filmmakers, were analyzed, as well as a reference in the study for presenting in-depth reports with expressive manifestations and sound experiments. The methodology used was the semiotic analysis in conjunction with the analysis of moving images (ROSE, 2008) of the corpus. In the analysis were also added elements of the sound code of the television message and its respective subcodes according to Umberto Eco (ECO, 2006). The result of the semiotic analysis of the corpus proved that the sound can boost emotions, better ambience the narrative, and also has the ability to totally change the viewer's perception of a television reportings.