Representações de amor, tempo e morte no filme beleza oculta: uma análise semiótica

Abstract

This work aims to analyze the representations of love, time and death in the film “Occult Beauty”, using Greimasian semiotics as a basis. Based on the research problem that seeks to answer how it is possible to analyze the representation of love, time and death in the construction of the characters and in the structure of the filmic narrative “Beleza Oculta”?. For this, bibliographical research and theoretical foundations based on authors such as Vladimir Propp and Algirdas Greimas were used to address the construction of narrative structures. With this, the proposal was to analyze the concept of representation, according to Pierce and Santaella and Noth, the archetypes, based on Carl G. Jung and finally Forster to classify the characters of the narrative, therefore verifying the strategies used for the development of the narrative and the characters in the plot, in order to understand the processes that involve the creation of a cinematographic work. Also thinking about the usefulness of understanding more about the cinematographic universe that grows and mixes more and more with other areas of entertainment such as Social Communication, in general and Publicity and Propaganda, in specific.