Análise dos elementos da doutrina de segurança estadunidense nas produções cinematográficas realizadas durante a guerra ao terror (2001-2008)

Abstract

This work aims to analyze how the elements of The National Security Strategy formulated in the context of the Bush Doctrine and the War on Terror would have repercussions on the Hollywood film productions of the 2001-2008 period. From this perspective, it becomes highlighted how the film productions can be used as an effective source for analysis in the context of International Relations, given that the American cultural production articulates with hegemonic pretensions. Following the terrorist attacks of September 11, 2001, United States initiates a precautionary security doctrine to contain the rise of transnational terrorism in the contemporary era. Given this, the identification of new enemies from the United States and the western world is ratified as one of the consequences of the War on Terror.